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The Works of Henry Fielding Edited by George Saintsbury in 12 Volumes — Volume 12 by Fielding, Henry, 1707-1754, Saintsbury, George, 1845-1933



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_Bru_. Do not, like young hawks, fetch a course about. Your game flies fair.

_Fra_. Do not fear it. He answers you in your own hawking phrase. --_Injured Love_.

I think these two great authorities are sufficient to justify Dollallolla in the use of the phrase, "Hie away, hie!" when in the same line she says she is speaking to a setting-dog. ]

_Griz_. Madam, I go. Tom Thumb shall feel the vengeance you have raised. So, when two dogs are fighting in the streets, With a third dog one of the two dogs meets, With angry teeth he bites him to the bone, And this dog smarts for what that dog has done.

SCENE VI.

_Queen_ (_sola_). And whither shall I go?--Alack a day! I love Tom Thumb--but must not tell him so; For what's a woman when her virtue's gone? A coat without its lace; wig out of buckle; A stocking with a hole in't--I can't live Without my virtue, or without Tom Thumb. [1] Then let me weigh them in two equal scales; In this scale put my virtue, that Tom Thumb. Alas! Tom Thumb is heavier than my virtue. But hold!--perhaps I may be left a widow: This match prevented, then Tom Thumb is mine; In that dear hope I will forget my pain.

So, when some wench to Tothill Bridewell's sent, With beating hemp and flogging she's content; She hopes in time to ease her present pain, At length is free, and walks the streets again.

[Footnote 1: We meet with such another pair of scales in Dryden's King Arthur:

Arthur and Oswald, and their different fates, Are weighing now within the scales of heaven.

Also in Sebastian:

This hour my lot is weighing in the scales. ]

ACT II.

SCENE I.--_The street_. Bailiff, Follower.

[Footnote: Mr Rowe is generally imagined to have taken some hints from this scene in his character of Bajazet; but as he, of all the tragick writers, bears the least resemblance to our author in his diction, I am unwilling to imagine he would condescend to copy him in this particular.]

_Bail_. Come on, my trusty follower, come on; This day discharge thy duty, and at night A double mug of beer, and beer shall glad thee. Stand here by me, this way must Noodle pass.

_Fol_. No more, no more, oh Bailiff! every word Inspires my soul with virtue. Oh! I long To meet the enemy in the street--and nab him: To lay arresting hands upon his back, And drag him trembling to the spunging-house.

_Bail_. There when I have him, I will spunge upon him. Oh! glorious thought! by the sun, moon, and stars, I will enjoy it, though it be in thought! Yes, yes, my follower, I will enjoy it.

_Fol_. Enjoy it then some other time, for now Our prey approaches.

_Bail_. Let us retire.

SCENE II.--TOM THUMB, NOODLE, Bailiff, Follower.

_Thumb_. Trust me, my Noodle, I am wondrous sick; For, though I love the gentle Huncamunca, Yet at the thought of marriage I grow pale: For, oh!--[1] but swear thou'lt keep it ever secret, I will unfold a tale will make thee stare.

[Footnote 1: This method of surprizing an audience, by raising their expectation to the highest pitch, and then baulking it, hath been practised with great success by most of our tragical authors]

_Nood_. I swear by lovely Huncamunca's charms.